Entered Information
Student Name: | Emily K |
Grade: | 12 |
Title: | Still Here |
Description: | I constructed this head using a wooden stand with a masking-tape-wrapped newspaper ball at the end. I covered the ball with terra cotta clay, mapped out some rough features, and then cut the head in half and took the newspaper out of the center. I carved the excess clay from the inside of the two halves, before reattaching them via slipping and scoring. At this point I also constructed a neck with smoothed coils, and attached the head to the neck. I then began to work on the more detailed features, such as the hair and the headscarf. I chose to use terra sigillata on "Still Here" because I had limited time, and I felt like this piece deserved a very meticulous style of glazing, which I was not able to provide due to Covid 19 surge sending us into remote learning. I decided to use terra sigillata because it lets a piece appear 'finished' without detracting from the structural elements. I was inspired to create Still Here after reading Beloved by Toni Morrison. I wanted to explore the idea of the past interrupting the present in a sculptural piece, so I decided to create a black woman who could be living in any time period, but who bore the past clearly on her countenance. In Still Here, I wanted to portray the idea of the past influencing the present, not necessarily her past specifically, but rather to the violent and unjust past of people of color as a whole. |
Dimensions: | (L)6 x (W)5 x (H)8 (Inches) |
Weight: | 4 Lbs. |
School: | Solebury School - New Hope, PA |
Teacher: | Erika Fairchild |
Exhibition: | The 24th Annual National K-12 Ceramic Exhibition, Virtual This Year |
Recognition
No awards given
Additional Work Info
Clay Vendor: | Laguna, Miller 20G |
Wheel Vendor: | Other |
Tool Vendor: | Other |
Glaze Vendor: | Other |
Kiln Vendor: | L&L Kilns |
Firing Temp: | Low Fire |
Atmosphere: | Oxidation |
Cone Number: |
Entry Photos
Front Photo
Back Photo
Left Photo
Right Photo
Top Photo